The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away - Henry Purcell, Gillian Fisher, Harry Christophers, The Sixteen Information

Acousticness: 97%
Danceability: 40%
Energy: 8%
Instrumentalness: 0%
Liveness: 13%
Loudness: 63%
Speechiness: 8%
Valence: 36%
Popularity: 0%
Loudness: -22.404 dB

Summary

Henry Purcell, Gillian Fisher, Harry Christophers, The Sixteen's 'The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away' came out on August 28, 2015. The duration of The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "The Wedding Collection: Music for Weddings and Civil Ceremonies". In this album, this song's track order is #2. The popularity of The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away BPM

With The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away by Henry Purcell, Gillian Fisher, Harry Christophers, The Sixteen having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

The Fairy Queen, Z. 629: Fourth Act Chorus - Now the Night is Chased Away Key

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto For Harp In B-Flat Major: I. Andante Allegro	George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon	A Major	1	11B	94 BPM
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication)	Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment	E Major	3	12B	97 BPM
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The Indian Queen, Z. 630, Act I: Why Should Men Quarrel Here, Where All Possess	Henry Purcell, The Sixteen, Harry Christophers, Kirsty Hopkins	B Minor	0	10A	119 BPM
Le roi s'amuse: Final	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	A Minor	1	8A	94 BPM
O solitude, my sweetest choice, Z. 406	Henry Purcell, Valer Barna-Sabadus, Pavel Serbin, Axel Wolf	B Minor	1	10A	73 BPM
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Ciaccona (Antonio Falconiero ca. 1585-1656)	Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX	G Major	1	9B	101 BPM
Miserere in C Minor Psalm 50, ZWV. 57	Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht	B Minor	2	10A	64 BPM
Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment"	Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard	C Minor	0	5A	101 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6343603134155273

End: 0.6383914947509766