"Piano Concerto No. 21 in C, K.467: II. Andante" by Stephen Hough, Hallé, Bryden Thomson was released on February 1, 2011. Since Piano Concerto No. 21 in C, K.467: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Drivetime Classics, so we believe that "Piano Concerto No. 21 in C, K.467: II. Andante" is a single. The popularity of Piano Concerto No. 21 in C, K.467: II. Andante is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 21 in C, K.467: II. Andante by Stephen Hough, Hallé, Bryden Thomson is Presto (very, very fast), since this song has a tempo of 192 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
11 Bagatelles, Op. 119: No. 5 in C Minor. Risoluto | Ludwig van Beethoven, Steven Osborne | F Minor | 1 | 4A | 137 BPM | ||
Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto | Claude Debussy, Monique Haas | D♭ Minor | 0 | 12A | 81 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Chansons gaillardes: No. 8, Serenade (Arr. M. Gendron) | Francis Poulenc, Steven Isserlis, Stephen Hough | F Major | 0 | 7B | 85 BPM | ||
Adagio and Rondo in C Minor, K. 617: Adagio | Wolfgang Amadeus Mozart, Stephen Hough, Berlin Philharmonic Wind Quintet | C Minor | 0 | 5A | 77 BPM | ||
Sonata in D Minor, K. 32 | Domenico Scarlatti, Lucas Debargue | D Minor | 0 | 7A | 130 BPM | ||
La Lisonjera (The Flatterer), Op. 50 | Cécile Chaminade, Péter Nagy | D♭ Major | 1 | 3B | 132 BPM | ||
Little Lullaby (4th movt from Suite R-B) | Stephen Hough, Richard Uttley | A Minor | 0 | 8A | 184 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM |
Section: 0.6394786834716797
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