"Nonsense: C'era un vecchio musicale" by Orquesta y Coro de la Comunidad de Madrid, Goffredo Petrassi, Miguel Groba was released on October 17, 2023. With Nonsense: C'era un vecchio musicale being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of X Aniversario del Coro de la Comunidad de Madrid by Orquesta y Coro de la Comunidad de Madrid. The song's track number on the album is #21 out of 25 tracks. Nonsense: C'era un vecchio musicale is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nonsense: C'era un vecchio musicale by Orquesta y Coro de la Comunidad de Madrid, Goffredo Petrassi, Miguel Groba has a tempo of 66 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Nonsense: C'era un vecchio musicale being at 66 BPM, the half-time would be 33 BPM with a double-time of 132 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Enigma Variations, Op. 36: Variation XII. Andante "B.G.N." - 2023 Remastered Version | Edward Elgar, Sir Adrian Boult, London Philharmonic Orchestra | G Major | 3 | 9B | 75 BPM | ||
Die Fledermaus: Act I: Trio: Nein, mit solchen Advokaten (Rosalinde, Eisenstein, Blind) | Johann Strauss II, Aga Mikolaj, Paul Armin Edelmann, Jürgen Sacher, Cologne West German Radio Orchestra, Friedrich Haider | G Major | 4 | 9B | 142 BPM | ||
Ultimo Break | TimeTunes | D♭ Major | 1 | 3B | 170 BPM | ||
Bruckner: Symphony No. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Nikolaus Harnoncourt, Wiener Philharmoniker | F Major | 0 | 7B | 134 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: VII. in C minor. Allegro assai | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
O Del Mio Amato Ben | Gwyn Hughes Jones | A♭ Major | 1 | 4B | 134 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 11, "Ein Tanz von Rübeln". Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Katharina Konradi, Sophia Burgos | E Major | 1 | 12B | 72 BPM | ||
Resitatiivi, Kun Jeesus Oli Vangittu | Joose Vähäsöyrinki, Heikki Rainio | C Minor | 1 | 5A | 76 BPM | ||
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | ||
Springtime Suite: Noonday Song | Eric Coates, BBC Concert Orchestra, John Wilson | G Major | 1 | 9B | 64 BPM |
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