"Il Trovatore, Act 4: Che! Non M'inganno!" by Jussi Björling was released on March 3, 1931. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #73. Furthermore, we believe that the track originated from Germany. Based on our statistics, Il Trovatore, Act 4: Che! Non M'inganno!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Trovatore, Act 4: Che! Non M'inganno! by Jussi Björling having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ur Frosoblomster: I. Sommarsang (Summer Song) | Wilhelm Peterson-Berger, Norrköping Symphony Orchestra, Michail Jurowski | F Major | 0 | 7B | 82 BPM | ||
La Belle Hélène: Paris' Entrance Song | Jussi Björling | B♭ Major | 5 | 6B | 78 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM | ||
'La Tarántula', De La Tempranica | Victoria de los Ángeles | C Major | 3 | 8B | 75 BPM | ||
Rossini: Guillaume Tell, Act 4 Scene 11: "Pourquoi ta presence, ô mon père! ... Tout change et grandit en ces lieux!" (Arnold, Guillaume, Hedwige, Jemmy, Mathilde, Gessler, Walter, Chorus) | Gioachino Rossini, Mady Mesplé/Jocelyne Taillon/Gabriel Bacquier/Nicolai Gedda/Ambrosian Opera Chorus/Royal Philharmonic Orchestra/Lamberto Gardelli, Lamberto Gardelli, Royal Philharmonic Orchestra | C Major | 2 | 8B | 78 BPM | ||
När jag för mig själv i mörka skogen går (When I Walk Alone in the Dark Forest), Op. 5:1 | Jussi Björling | G Minor | 2 | 6A | 76 BPM | ||
Baracolle - From “The Tales of Hoffmann” | Katherine Jenkins, The Czech Film Orchestra, William Hayward | D Major | 5 | 10B | 163 BPM | ||
Förklädd gud, Op. 24: Prelude | Mark Levengood, Charlotta Larsson, Gunnar Birgersson, Enskede Kammarkor, Swedish Radio Symphony Orchestra, Eva Karpe | F Major | 1 | 7B | 72 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga | George Frideric Handel, Aksel Rykkvin, Nigel Short, Orchestra of the Age of Enlightenment | E Major | 0 | 12B | 117 BPM |
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