"I Lombardi alla prima crociata, Act II Scene 5: Stolto allah! - Live" by Giuseppe Verdi, Ivan Repušić, Galeano Salas, Michele Pertusi, Munich Radio Orchestra, Bavarian Radio Chorus was released on November 3, 2023. With I Lombardi alla prima crociata, Act II Scene 5: Stolto allah! - Live being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: I Lombardi alla prima crociata (Live) by Giuseppe Verdi, Nino Machaidze, Ivan Repušić, Réka Kristóf, Piero Pretti, Galeano Salas, Miklós Sebestyén, Michele Pertusi, Munich Radio Orchestra. The song's track number on the album is #21 out of 39 tracks. Based on our data, Germany was the country where this track was produced or recorded. I Lombardi alla prima crociata, Act II Scene 5: Stolto allah! - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since I Lombardi alla prima crociata, Act II Scene 5: Stolto allah! - Live by Giuseppe Verdi, Ivan Repušić, Galeano Salas, Michele Pertusi, Munich Radio Orchestra, Bavarian Radio Chorus has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With I Lombardi alla prima crociata, Act II Scene 5: Stolto allah! - Live being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Aida / Act 2: "Gloria all'Egitto" | Giuseppe Verdi, Dresden State Opera Chorus, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | E♭ Major | 2 | 5B | 115 BPM | ||
La forza del destino, Act II, Scene I: Al suon del tamburo | Giuseppe Verdi, Anna Maria Chiuri, Tiziano Tassi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A Minor | 2 | 8A | 117 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM | ||
Tannhauser, Act III: Begluckt darf nun dich, o Heimat, ich schauen ("Pilgrims' Chorus") | Richard Wagner, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner | D Major | 4 | 10B | 129 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Orpheus-Quadrille, Op. 236 | Johann Strauss II, Georges Prêtre, Wiener Philharmoniker | G Major | 6 | 9B | 109 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Un bel dì vedremo (Butterfly) | Giacomo Puccini, Renata Scotto, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | F♯ Major | 2 | 2B | 60 BPM |
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