"Forever Strong, a Tribute to the USS Indianapolis" by Stephen Melillo, Das Musikkorps Der Bundeswehr, Christoph Scheibling was released on May 7, 2019. The duration of Forever Strong, a Tribute to the USS Indianapolis is about 3 minutes long, at 3:19. Based on our data, "Forever Strong, a Tribute to the USS Indianapolis" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Stormworks Chapter 55: Way of the Wanderer". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Forever Strong, a Tribute to the USS Indianapolis's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Forever Strong, a Tribute to the USS Indianapolis by Stephen Melillo, Das Musikkorps Der Bundeswehr, Christoph Scheibling having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Transcendent Journey | Rossano Galante, Bundespolizeiorchester München | F Major | 4 | 7B | 132 BPM | ||
Concerto For Alto Saxophone Pt. 3 | Ronald Binge, Polizeimusikkorps Baden-Württemberg, Toni Scholl | D♭ Major | 2 | 3B | 146 BPM | ||
Moravian-Slovak Suite, Op. 32 (version for orchestra): III. The Lovers | Vítězslav Novák, Janáček Philharmonic Ostrava, Marek Štilec | E♭ Major | 1 | 5B | 137 BPM | ||
Symphonic Suite: V. Jubilee | Clifton Williams, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 3 | 5A | 132 BPM | ||
Scramble | Todd Stalter, Alvdal Tynset Janitsjarkorps, Nils Graftås | C Major | 1 | 8B | 88 BPM | ||
American Overture | Joseph Willcox Jenkins, Lone Star Wind Orchestra, Eugene Migliaro Corporon | F Major | 3 | 7B | 132 BPM | ||
Symphony No. 4: Measures 570-711 - | David Maslanka, Dallas Wind Symphony, Jerry Junkin | B♭ Major | 2 | 6B | 79 BPM | ||
First Suite in E-Flat Major, Op. 28 No. 1, H. 105: II. Intermezzo | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 1 | 5A | 141 BPM | ||
Candide: V. Make Our Garden Grow | Leonard Bernstein, University of South Carolina Wind Ensemble, Scott Weiss | C Minor | 1 | 5A | 137 BPM | ||
Second Suite in F Major, Op. 28 No. 2, H. 106: I. March | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | F Major | 2 | 7B | 119 BPM |
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