György Ligeti, Berlin Philharmonic Wind Quintet's '10 Pieces: VII. Vivo, energico' came out on May 31, 1994. With 10 Pieces: VII. Vivo, energico being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Szervanszky / Orban / Ligeti / Kurtag: Wind Quintets". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Sweden. 10 Pieces: VII. Vivo, energico is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 10 Pieces: VII. Vivo, energico by György Ligeti, Berlin Philharmonic Wind Quintet having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Le Grand Macabre: Akt II - Gestatten, bin der Dienstälteste | György Ligeti, Vienna Radio Symphony Orchestra, ORF Chor, Elgar Howarth | B Major | 2 | 1B | 120 BPM | ||
Études, Book 1: No. 4, Fanfares | György Ligeti, Pierre-Laurent Aimard | D♭ Major | 2 | 3B | 119 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Perduto in una citta d'acque | Salvatore Sciarrino, Florian Hoelscher | C Major | 0 | 8B | 139 BPM | ||
Klavierstück in E Minor - 3 | Anton Webern, Jean-Jacques Dünki | E Minor | 0 | 9A | 111 BPM | ||
Britten: Holiday Diary, Op. 5: II. Sailing | Benjamin Britten, Stephen Hough | D Major | 0 | 10B | 76 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: J'ai pas envie de faire ma page (L'enfant) | Maurice Ravel, Helene Hebrard, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 0 | 4B | 97 BPM |
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