"Soleta i Verge Estich (Villancico)" by Bartomeu Carceres, La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall, Hespèrion XX was released on June 3, 2013. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jordi Savall, La Capella Reial De Catalunya, Montserrat Figueras, Hespèrion XX's "La Capella Reial de Catalunya - 25th Anniversary" album is number 5 out of 48. On top of that, United States appears to be the country where this track was created. In terms of popularity, Soleta i Verge Estich (Villancico) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Soleta i Verge Estich (Villancico) by Bartomeu Carceres, La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall, Hespèrion XX to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
Cantiga No. 10, "Rosa das rosas": Entre Av'e Eva (CSM 60) | Alfonso X El Sabio, Unicorn Ensemble | C Major | 1 | 8B | 171 BPM | ||
Virgo prudentissima | Hilaire Penet, Alan Black, Pomerium | D Minor | 1 | 7A | 136 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
Il me souffit (Sermisy) | Edward Martin | G Minor | 0 | 6A | 76 BPM | ||
The Little Consort, Suite No. 8 in A Minor: II. Ayre | Matthew Locke, Phantasm, Elizabeth Kenny | A♭ Major | 1 | 4B | 111 BPM | ||
Byrd: Christe redemptor a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 95 BPM | ||
Cantiga No. 10, "Rosa das rosas": Que por al non devess (CSM 295) | Alfonso X El Sabio, Unicorn Ensemble | C Major | 2 | 8B | 105 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM |
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