John Dowland, James Bowman, Frances Kelly, Elizabeth Kenny, Mark Levy, Theatre of Early Music's 'Book of Songs, Book 1: Come again, sweet love doth now invite: Come again, sweet love doth now invite' came out on January 1, 2005. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 27 in the song's album "Theatre Of Early Music: Love Bade Me Welcome - Songs and Poetry From the Renaissance". In this album, this song's track order is #19. In terms of popularity, Book of Songs, Book 1: Come again, sweet love doth now invite: Come again, sweet love doth now invite is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Book of Songs, Book 1: Come again, sweet love doth now invite: Come again, sweet love doth now invite by John Dowland, James Bowman, Frances Kelly, Elizabeth Kenny, Mark Levy, Theatre of Early Music having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Pange lingua: I. Kyrie | Josquin des Prez, Kammerchor Josquin des Préz, Ludwig Bohme | B Minor | 2 | 10A | 72 BPM | ||
Libera Nos, Salva Nos à 5 | Thomas Tallis, Fretwork | C Minor | 0 | 5A | 131 BPM | ||
Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 99 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Suite in C Minor from Pieces de luth Premier Liure: I. Prelude | Charles Mouton, Anders Ericson | F♯ Minor | 1 | 11A | 93 BPM | ||
Differencias sobre "Guarda me Las Vacas" | Luis de Narváez, Lutz Kirchhof | B♭ Major | 1 | 6B | 107 BPM | ||
Canarios. Tablature Di Chitarrone Livre 4 | Giovanni Girolamo Kapsberger, Dolce Rima, Xurxo Lois Varela Díaz, Paula Brieba del Rincón | G Major | 0 | 9B | 111 BPM | ||
Missa Papae Marcelli: Kyrie | Giovanni Pierluigi da Palestrina, Oxford Camerata, Jeremy Summerly | A Major | 2 | 11B | 136 BPM | ||
The English Dancing Master: Parson's Farewell | John Playford, Dorothee Oberlinger | C Major | 1 | 8B | 112 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM |
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