"Cantate Domino à 8" by Asprilio Pacelli, Chorwerk Ruhr, Capella De La Torre, Florian Helgath was released on October 1, 2021. The duration of Cantate Domino à 8 is about 3 minutes long, at 3:17. Based on our data, "Cantate Domino à 8" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 20 out of 20 in Bodenschätze (Motetten aus dem 17. Jahrhundert) by Chorwerk Ruhr, Capella De La Torre, Florian Helgath. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Cantate Domino à 8 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cantate Domino à 8 by Asprilio Pacelli, Chorwerk Ruhr, Capella De La Torre, Florian Helgath is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: Pie Jesu | Gabriel Fauré, Collegium Vocale Gent, Johannette Zomer, La Chapelle Royale, Philippe Herreweghe | B♭ Major | 0 | 6B | 83 BPM | ||
L'incoronazione di Poppea, SV 308 / Act 3: Pur ti miro | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 0 | 9B | 78 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
L'Orfeo, Ato primo: III. Rosa del ciel | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Arianna Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 130 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: I. Selig sind, die da Leid tragen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 136 BPM | ||
Membra Jesu Nostri, BuxWV 75: Ad pedes. Ecce super montes | Dietrich Buxtehude, Cantus Cölln, Konrad Junghanel | C Minor | 0 | 5A | 116 BPM | ||
Requiem, Op. 9: VI. Agnus Dei (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Choir of King's College, Cambridge, Stephen Cleobury | C Major | 0 | 8B | 88 BPM | ||
Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259) | George Frideric Handel, The English Concert, Simon Preston, Trevor Pinnock, The Choir Of Westminster Abbey | F♯ Major | 2 | 2B | 170 BPM | ||
Prima die Lectio prima: IV. Beth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 86 BPM | ||
Te Lucis Ante Terminum, Festal | Thomas Tallis, Voces8, Christian Forshaw | B♭ Minor | 0 | 3A | 74 BPM |
Section: 0.597531795501709
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