"Septet in E flat, Op. 20: 6. Andante con moto alla Marcia - Presto" by Ludwig van Beethoven, Melos Ensemble was released on January 1, 2013. Since Septet in E flat, Op. 20: 6. Andante con moto alla Marcia - Presto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 14 in Beethoven: Serenade; Septet in E flat; Schumann: Adagio & Allegro by Ludwig van Beethoven, Melos Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Septet in E flat, Op. 20: 6. Andante con moto alla Marcia - Presto's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Septet in E flat, Op. 20: 6. Andante con moto alla Marcia - Presto by Ludwig van Beethoven, Melos Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Piano Sonata No. 28 in A Major, Op. 101: III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto - Recorded 2021-2 | Ludwig van Beethoven, Maurizio Pollini | A Major | 0 | 11B | 167 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto | Ludwig van Beethoven, Daniel Barenboim | G Minor | 1 | 6A | 115 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM |
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