Peter Maxwell Davies, Lucy Humphris, Harry Rylance made "Litany for a Ruined Chapel between Sheep and Shore: I." available on March 31, 2023. Litany for a Ruined Chapel between Sheep and Shore: I. is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There are a total of 14 in the song's album "Obscurus". In this album, this song's track order is #5. Based on our statistics, Litany for a Ruined Chapel between Sheep and Shore: I.'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Litany for a Ruined Chapel between Sheep and Shore: I. by Peter Maxwell Davies, Lucy Humphris, Harry Rylance having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lake in the Mountains | Ralph Vaughan Williams, Mark Bebbington | G Major | 1 | 9B | 95 BPM | ||
Harp Concerto in C Minor: II. Adagio | Henriette Renié, Orchestre Régional Avignon Provence, Samuel Jean, Emmanuel Ceysson | D♭ Major | 0 | 3B | 63 BPM | ||
Shenandoah | Traditional, Yo-Yo Ma, Kathryn Stott | C Major | 0 | 8B | 87 BPM | ||
Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
3 Nocturnes for Cello and Guitar: Nocturne No. 1 in A Minor - Andantino | Franz Burgmüller, Anja Lechner, Pablo Marquez | A Major | 0 | 11B | 104 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
La Scandinavie: III. Polska norvégien | Percy Grainger, Andreas Brantelid, Christian Ihle Hadland | D Major | 0 | 10B | 87 BPM | ||
Hill Runes: V. Allegro (Dying Away into "Endless" Silence) | Peter Maxwell Davies, Sean Shibe | D♭ Major | 0 | 3B | 74 BPM | ||
The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM |
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