"Harp Concerto in C Minor: II. Adagio" by Henriette Renié, Orchestre Régional Avignon Provence, Samuel Jean, Emmanuel Ceysson was released on 2014. Harp Concerto in C Minor: II. Adagio is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The song is number 2 out of 7 in Belle Époque by Emmanuel Ceysson, Orchestre Régional Avignon Provence, Samuel Jean. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Harp Concerto in C Minor: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harp Concerto in C Minor: II. Adagio by Henriette Renié, Orchestre Régional Avignon Provence, Samuel Jean, Emmanuel Ceysson is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Hamabdil for Cello and Harp (Hebrew Melody) | Granville Bantock, Sandrine Chatron, Ophélie Gaillard | G Minor | 0 | 6A | 140 BPM | ||
Ô mon bel inconnu, Acte II, Second tableau: III. Air du coup de téléphone. "Eh ! bien mettez d'abord un A" | Reynaldo Hahn, Orchestre National Avignon-Provence, Samuel Jean, Thomas Dolie | B Major | 0 | 1B | 134 BPM | ||
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | ||
La Pouponnière - "Je n‘savais pas qu‘ c’était ça...": Je n'savais pas qu' c'était ça... | Albert Willemetz, Casimir-Georges Oberfeld, Julie Fuchs, Orchestre National de Lille, Samuel Jean | C Major | 2 | 8B | 180 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM | ||
Ô mon bel inconnu, Acte I: VI. Air. "Je suis celle que vous cherchez" | Reynaldo Hahn, Orchestre National Avignon-Provence, Samuel Jean, Thomas Dolie | G Major | 4 | 9B | 169 BPM | ||
Promenade matinale: I. Au loin, dans la verdure, la mer calme et mystérieuse | Henriette Renié, Alexander Rider | E♭ Minor | 0 | 2A | 92 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
Le docteur Miracle: Scene 4: Allons, tu as des connaissances tres variees (Le Podestat, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Major | 1 | 8B | 133 BPM |
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