"Two Organ Preludes - Arr. Latham: 2. Prelude" by Frederick Septimus Kelly, Tasmanian Symphony Orchestra, Benjamin Northey was released on 2016. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 20 in Frederick Septimus Kelly – Orchestral Works by Frederick Septimus Kelly, Benjamin Northey, Tasmanian Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. Two Organ Preludes - Arr. Latham: 2. Prelude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Two Organ Preludes - Arr. Latham: 2. Prelude by Frederick Septimus Kelly, Tasmanian Symphony Orchestra, Benjamin Northey is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet N 20 Mov 1 Mazurka Version Musescore 4 | Luca Schettino | B Major | 1 | 1B | 113 BPM | ||
Presto Paradigm | Selena Veles | E Minor | 0 | 9A | 114 BPM | ||
Waiting Here | Eye Digital RX | E Minor | 0 | 9A | 128 BPM | ||
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
Méditation (from Thaïs) | Jules Massenet, London Festival Orchestra, Alberto Lizzio | E Minor | 1 | 9A | 52 BPM | ||
The Excursions of Mr. Brouček, JWI/7: "Introduction" | Leoš Janáček, Prague National Theatre Orchestra, Jaroslav Kyzlink | F♯ Major | 1 | 2B | 75 BPM | ||
The Seasons, Op. 37a: No. 10, Autumn Song (Arr. for Piano Trio by Louis Eaton) | Pyotr Ilyich Tchaikovsky, Christoph Croisé, Andrey Baranov, Alexander Panfilov | A Major | 4 | 11B | 119 BPM | ||
Double Bass Concerto in A Major: I. Allegro moderato | Domenico Dragonetti, Massimo Giorgi, I Solisti Aquilani, Vittorio Antonellini | A Major | 1 | 11B | 120 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | ||
Songs Without Words: 2. Lied | Anne Cawrse, Benaud Trio | A♭ Major | 1 | 4B | 89 BPM |
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