"Instruments Of The Orchestra: Dvorak: Cypresses: IX. Thou Only Dear One" by Jeremy Siepmann was released on November 2, 2002. The duration of Instruments Of The Orchestra: Dvorak: Cypresses: IX. Thou Only Dear One is about 3 minutes long, at 3:00. Based on our data, "Instruments Of The Orchestra: Dvorak: Cypresses: IX. Thou Only Dear One" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 410 in the song's album "The Instruments Of The Orchestra". In this album, this song's track order is #10. Instruments Of The Orchestra: Dvorak: Cypresses: IX. Thou Only Dear One is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Instruments Of The Orchestra: Dvorak: Cypresses: IX. Thou Only Dear One by Jeremy Siepmann having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Instruments Of The Orchestra: Bottesini: Elegy No. 1 In D Major | Jeremy Siepmann | D Major | 0 | 10B | 80 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Haydn: Piano Concerto No. 11 in D Major, Hob. XVIII:11: III. Rondo all'Ungarese (Cadenza by Tharaud) | Franz Joseph Haydn, Alexandre Tharaud, Bernard Labadie, Les Violons du Roy | D Major | 2 | 10B | 83 BPM | ||
Ludwig van Beethoven: Life and Works: Sextet in E flat, op. 81b (first movement) | Jeremy Siepmann | F♯ Major | 2 | 2B | 87 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
Guiseppe Verdi: Life and Works: Rigoletto : 'La donna e mobile' | Freddie Jones, Jeremy Siepmann | F♯ Major | 1 | 2B | 132 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM |
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