Pyotr Ilyich Tchaikovsky, Radio Symphony Orchestra Moscow, Klaus-Peter Hahn's 'The Nutcracker Suite, Op. 71a, TH 35: I. Ouverture miniature' came out on 1996. The duration of The Nutcracker Suite, Op. 71a, TH 35: I. Ouverture miniature is about 3 minutes long, at 3:23. Based on our data, "The Nutcracker Suite, Op. 71a, TH 35: I. Ouverture miniature" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Tchaikovsky: Russian Ballet". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. In terms of popularity, The Nutcracker Suite, Op. 71a, TH 35: I. Ouverture miniature is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Nutcracker Suite, Op. 71a, TH 35: I. Ouverture miniature by Pyotr Ilyich Tchaikovsky, Radio Symphony Orchestra Moscow, Klaus-Peter Hahn having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Weihnachtsoratorium Bwv 248 - Auszüge (Am Sonntage | Susanne Lautenbacher, Dieter Vorholz | F♯ Minor | 2 | 11A | 128 BPM | ||
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Tchaikovsky: The Nutcracker, Op. 71, Act I, Scene 2: No. 9, Waltz of the Snowflakes | Pyotr Ilyich Tchaikovsky, Sir Simon Rattle, Berliner Philharmoniker, Libera | E Minor | 1 | 9A | 100 BPM | ||
Christmas Morning | Alexandre Desplat | C Major | 1 | 8B | 84 BPM | ||
L'apprenti Sorcier (The Sorcerer's Apprentice) | Paul Dukas, Slovak Radio Symphony Orchestra | F Minor | 3 | 4A | 112 BPM | ||
Løvenskiold: La Sylphide, Act 1: Arrival of the Guests - Pas d'écossaise (Allegro vivace - Tempo di Marcia) | Herman Løvenskiold, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | G Major | 3 | 9B | 80 BPM | ||
Babes in Toyland: Eccentric Dance (Gavotte) | Victor Herbert, Razumovsky Symphony Orchestra, Keith Brion | F Major | 1 | 7B | 84 BPM | ||
The Nutcracker - Trepak (Russian Dance) | Arthur Fiedler, Boston Pops Orchestra | G Major | 6 | 9B | 86 BPM | ||
Hark! The Herald Angels Sing | The City of Prague Philharmonic Orchestra, Richard Hein, Voices West | F Major | 2 | 7B | 107 BPM | ||
The Snow Maiden, Op. 12: I. Introduction | Moscow Symphony Orchestra, Moscow Capella, Elena Okolysheva, Arkady Mishenkin, Pyotr Ilyich Tchaikovsky | C Major | 0 | 8B | 91 BPM |
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