Manuel Ponce, Davide Ficco made "Twenty-Four Preludes - Xxii Agitato" available on May 16, 2011. With Twenty-Four Preludes - Xxii Agitato being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Manuel Ponce, Davide Ficco's "Manuel Maria Ponce - Chamber and Solo Music for Guitar" album is number 6 out of 41. On top of that, Italy appears to be the country where this track was created. The popularity of Twenty-Four Preludes - Xxii Agitato is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Twenty-Four Preludes - Xxii Agitato by Manuel Ponce, Davide Ficco to be Prestissimo (even faster than presto) because the track has a tempo of 209 BPM, a half-time of 104BPM, and a double-time of 418 BPM. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Danzas españolas, Op. 37: No. 5, Andaluza (Arr. J. Mourat for Guitar & Mandolin) | Enrique Granados, Jens-Uwe Popp, Jochen Roß | B Minor | 0 | 10A | 149 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 1. Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, Painter) | Mario Castelnuovo-Tedesco, Zoran Dukic | A Minor | 1 | 8A | 108 BPM | ||
4 Pieces: Tropico | Adam Holzman, Manuel Ponce | E Minor | 0 | 9A | 57 BPM | ||
Cuatro Danzas Mexicanas: I, Vivo – Meno mosso, espressivo | Manuel Ponce, Argentina Durán | G Major | 3 | 9B | 94 BPM | ||
Granada | Isaac Albéniz, Kurt Schneeweiss | F♯ Minor | 0 | 11A | 130 BPM | ||
Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 22 in E Minor | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM | ||
Rodrigo: Concierto de Aranjuez: III. Allegro gentile | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Major | 2 | 10B | 160 BPM |
Section: 0.7329702377319336
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