"Air pour les Sauvages" by Jean-Philippe Rameau, Martin Fröst was released on April 22, 2022. With Air pour les Sauvages being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Night Passages". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Air pour les Sauvages is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Air pour les Sauvages by Jean-Philippe Rameau, Martin Fröst having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in B Minor, K 27 | Domenico Scarlatti, Murray Perahia | D Major | 1 | 10B | 117 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Les Indes galantes: Air des Sauvages | Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe | F♯ Minor | 2 | 11A | 85 BPM | ||
Variations on La Folia | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | B Major | 1 | 1B | 131 BPM | ||
Danse espagnole No. 1 | Manuel de Falla, Jian Wang, Göran Söllscher | G Major | 1 | 9B | 89 BPM | ||
6 Preludes & Fugues by J.S. Bach, S. 462: No. 1, Fugue in A Minor (After BWV 543) | Franz Liszt, Khatia Buniatishvili | A Minor | 1 | 8A | 80 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM | ||
Rameau / Arr Roques: Nouvelles suites de pièces de clavecin, Suite en sol, RCT 6: XIV. Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud, Justin Taylor | G Minor | 3 | 6A | 103 BPM | ||
Konzertstück op.113 for Basset Horn, Clarinet and Piano - Arr. Rainer Schottstadt: 3. Presto | Felix Mendelssohn, The Clarinotts, Wiener Virtuosen Streichensemble | F Major | 2 | 7B | 85 BPM |
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