"Die Walkure: Act I Scene 2: Mud am Herd fand ich den Mann (Siegmund)" by Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler was released on July 3, 2012. With this song being about 5 minutes long, at 5:22, "Die Walkure: Act I Scene 2: Mud am Herd fand ich den Mann (Siegmund)" by Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wilhelm Furtwangler Conducts Richard Wagner's Der Ring des Nibelungen (Milan 1950) by Richard Wagner, Wilhelm Furtwängler. The song's track number on the album is #5 out of 259 tracks. Die Walkure: Act I Scene 2: Mud am Herd fand ich den Mann (Siegmund) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walkure: Act I Scene 2: Mud am Herd fand ich den Mann (Siegmund) by Richard Wagner, Günther Treptow, Ludwig Weber, Ferdinand Frantz, Hilde Konetzni, Kirsten Flagstad, Elisabeth Höngen, Ilona Steingruber, Walburga Wegener, Karen Marie Crkall, Dagmar Schmedes, Margareta Kenney, Margret Weth-Falke, Sieglinde Wagner, Polly Batic, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Walkure: Act I Scene 2: Mud am Herd fand ich den Mann (Siegmund) being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | ||
Norma (1997 Digital Remaster): Sinfonia ( Orchestra) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | G Major | 1 | 9B | 141 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 120 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Carmina Burana: IV. Omnia sol temperat | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | G Minor | 0 | 6A | 79 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | ||
Lohengrin: Treulich gefuhrt ziehet dahin | John Horton Murray, Margaret Jane Wray, Bolshoi Theatre Chorus, Russian State Symphony Orchestra, John McGlinn | B♭ Major | 0 | 6B | 70 BPM | ||
Le nozze di Figaro, K.492: Overture | Wolfgang Amadeus Mozart, Metropolitan Opera Orchestra, James Levine | D♭ Minor | 2 | 12A | 93 BPM |
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