Elgar: Pomp and Circumstance Marches, Op. 39: No. 4 in G Major
Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra
Elgar: Cello Concerto, Enigma Variations, Symphonies, Sea Pictures, The Dream of Gerontius...
5:23 March 25, 2022
BPM
84
Key
C Major
Camelot
8B

Embed

Share Link

Elgar: Pomp and Circumstance Marches, Op. 39: No. 4 in G Major - Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra Information

Acousticness
95%
Danceability
10%
Energy
2%
Instrumentalness
40%
Liveness
12%
Loudness
44%
Speechiness
5%
Valence
11%
Popularity
Loudness
-33.73 dB

Summary

"Elgar: Pomp and Circumstance Marches, Op. 39: No. 4 in G Major" by Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra was released on March 25, 2022. With this song being about 5 minutes long, at 5:23, "Elgar: Pomp and Circumstance Marches, Op. 39: No. 4 in G Major" by Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 39 out of 86 in Elgar: Cello Concerto, Enigma Variations, Symphonies, Sea Pictures, The Dream of Gerontius... by Edward Elgar, Sir John Barbirolli. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Elgar: Pomp and Circumstance Marches, Op. 39: No. 4 in G Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elgar: Pomp and Circumstance Marches, Op. 39: No. 4 in G Major BPM

The tempo marking of Elgar: Pomp and Circumstance Marches, Op. 39: No. 4 in G Major by Edward Elgar, Sir John Barbirolli, Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Elgar: Pomp and Circumstance Marches, Op. 39: No. 4 in G Major Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Quintet in C Minor: I. Andante by Alexander Borodin, Ilona Prunyi, New Budapest QuartetPiano Quintet in C Minor: I. AndanteAlexander Borodin, Ilona Prunyi, New Budapest QuartetC Minor15A68 BPM
Harp Concerto in A major: 3. Rondeau: Allegretto by Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona BrownHarp Concerto in A major: 3. Rondeau: AllegrettoCarl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona BrownA Major111B97 BPM
Beethoven: Symphony No. 6 in F Major, Op. 68 Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro -Ludwig van Beethoven, Philadelphia Orchestra, Riccardo MutiG Major09B127 BPM
Appalachian Spring: VII. Doppio movimento by Aaron Copland, Leonard Bernstein, New York PhilharmonicAppalachian Spring: VII. Doppio movimentoAaron Copland, Leonard Bernstein, New York PhilharmonicD♭ Major13B78 BPM
Come, Sweet Death (Arr. for 5 Cellos) by Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max RuisiCome, Sweet Death (Arr. for 5 Cellos)Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max RuisiC Minor15A88 BPM
A Moorside Suite, H. 173: Nocturne by Gustav Holst, Royal Northern Sinfonia, David Lloyd-JonesA Moorside Suite, H. 173: NocturneGustav Holst, Royal Northern Sinfonia, David Lloyd-JonesB Minor010A91 BPM
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto by Georges Bizet, Orchestre Symphonique de Montréal, Charles DutoitL'Arlésienne Suite No. 1, WD 40: 3. AdagiettoGeorges Bizet, Orchestre Symphonique de Montréal, Charles DutoitF Major07B86 BPM
Andante Festivo by Jean Sibelius, Gothenburg Symphony Orchestra, Neeme JärviAndante FestivoJean Sibelius, Gothenburg Symphony Orchestra, Neeme JärviG Major19B86 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) by Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter SusskindBruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt)Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter SusskindE♭ Major15B105 BPM
Scheherazade: Calm at Sea by Nikolai Rimsky-Korsakov, Joakim SvenhedenScheherazade: Calm at SeaNikolai Rimsky-Korsakov, Joakim SvenhedenE Major212B84 BPM
ISRC
GBAYC2000171
Label
L-M Records/RCA Records

Section: 0.7862129211425781

End: 0.7903048992156982