Hughes De Courson, Orchestre Symphonique De Bulgarie's 'De Courson: Symphonie Egyptienne (After Mozart's "Symphony No. 25 in G Minor, K. 183/173dB")' had a release date set for April 18, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hughes De Courson, Milen Natchev, Orchestre Symphonique De Bulgarie's "Mozart im Orient" album is number 11 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, De Courson: Symphonie Egyptienne (After Mozart's "Symphony No. 25 in G Minor, K. 183/173dB")'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of De Courson: Symphonie Egyptienne (After Mozart's "Symphony No. 25 in G Minor, K. 183/173dB") by Hughes De Courson, Orchestre Symphonique De Bulgarie to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruby Like Wine (To Sheikh Muhammed Omran) | Dhafer Youssef | B♭ Minor | 5 | 3A | 82 BPM | ||
Diferencias sobre Guárdame las vacas | Fahmi Alqhai, Accademia del Piacere | D♭ Major | 1 | 3B | 78 BPM | ||
Schwanengesang, D. 957: No. 4. Standchen (arr. for string ensemble) | Anonymous, Franz Schubert, Budapest Strings, Béla Bánfalvi | D Major | 0 | 10B | 170 BPM | ||
Suite No. 2 for Jazz Orchestra: VII. Waltz II | Dmitri Shostakovich, Dmitri Kitayenko, Hr-sinfonieorchester | G Major | 1 | 9B | 104 BPM | ||
Gnossiennes No. 1 | Michel Camilo, Tomatito | E Minor | 2 | 9A | 90 BPM | ||
Le traineau de Bucarest | Ion Nicodim, Gheorghe Radulesco | A Minor | 6 | 8A | 75 BPM | ||
The Waltz of the Monsters - Accordions | Yann Tiersen | B Minor | 3 | 10A | 124 BPM | ||
Lomir alle (Yiddish) | Les Yeux Noirs | D Major | 2 | 10B | 70 BPM | ||
Theme From "Schindler's List" | John Williams, Lakatos | D Minor | 1 | 7A | 78 BPM | ||
Infant Joy | Hughes De Courson, Tomas Gubitsch, Dobri Hristov Choir from Sofia, Plovdiv's Children's Choir, Radio Sofia Sinfonic Orchestra | F Major | 0 | 7B | 100 BPM |