Jean-Marie Leclair, John Eliot Gardiner, René Schirrer, English Baroque Soloists made "Leclair: Scylla et Glaucus, Op. 11, Prologue: "Quel tonnerre !" (Chef des peuples)" available on February 24, 2023. With Leclair: Scylla et Glaucus, Op. 11, Prologue: "Quel tonnerre !" (Chef des peuples) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jean-Marie Leclair, Donna Brown, Howard Crook, English Baroque Soloists, John Eliot Gardiner's "Leclair: Scylla et Glaucus, Op. 11" album is number 8 out of 98. On top of that, France appears to be the country where this track was created. In terms of popularity, Leclair: Scylla et Glaucus, Op. 11, Prologue: "Quel tonnerre !" (Chef des peuples) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Leclair: Scylla et Glaucus, Op. 11, Prologue: "Quel tonnerre !" (Chef des peuples) by Jean-Marie Leclair, John Eliot Gardiner, René Schirrer, English Baroque Soloists to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in C Major, Wq. 73, H. 504: I. Allegro di molto | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | F♯ Major | 2 | 2B | 124 BPM | ||
Sonatae Violino Solo (1681): Sonata No. 2 in D | Heinrich Ignaz Franz von Biber, John Holloway | D♭ Minor | 3 | 12A | 124 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Concerto in D Major After BWV 169 and BWV 49: II. Siciliano | Johann Sebastian Bach, Les Muffatti, Bart Jacobs | B Minor | 1 | 10A | 77 BPM | ||
La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | ||
Recorder Sonata No. 12 in G Minor: I. Largo | Francesco Mancini, Dan Laurin, London Baroque | F♯ Minor | 1 | 11A | 91 BPM | ||
Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
Quartet in G Major: I. Adagio | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 76 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM |
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