Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim made "Violin Sonata in C Major, Wq. 73, H. 504: I. Allegro di molto" available on January 1, 1994. The duration of Violin Sonata in C Major, Wq. 73, H. 504: I. Allegro di molto is about 3 minutes long, at 3:20. Based on our data, "Violin Sonata in C Major, Wq. 73, H. 504: I. Allegro di molto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 18 in Chamber Music (Baroque) - Frederick Iii / Schaffrath, C. / Bach, C.P.E. / Benda, F. / Janitsch, J.G. (Music From Sanssouci) by Berlin Baroque Compagney. Based on our statistics, Violin Sonata in C Major, Wq. 73, H. 504: I. Allegro di molto's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Violin Sonata in C Major, Wq. 73, H. 504: I. Allegro di molto by Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Sinfonia in F major, F. 67: IV. Menuetto I-II | Wilhelm Friedemann Bach, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | F Major | 0 | 7B | 122 BPM | ||
Dernière courente de Gautier | Denis Gaultier, Bernhard Hofstötter | D♭ Minor | 1 | 12A | 148 BPM | ||
Viola Concerto in C Minor: II. Adagio molto espressivo | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | A♭ Major | 2 | 4B | 133 BPM | ||
Fantasy Upon One Note | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Susanna Hefti, Martin Zeller | E Major | 1 | 12B | 133 BPM | ||
Sonata in F, BuxWV 269: II. Solo- Allegro | Dietrich Buxtehude, La Rêveuse | E Major | 2 | 12B | 103 BPM | ||
String Trio in D Major, Op. 14, No. 4, G. 98: I. Allegro giusto | Luigi Boccherini, La Real Cámara | A Major | 1 | 11B | 83 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM |
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