Ernesto de Curtis, Walter Mnatsakanov, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian's 'Canta pe' me (orch. W. Mnatsakanov)' came out on January 1, 2001. The duration of Canta pe' me (orch. W. Mnatsakanov) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Canta pe' me (orch. W. Mnatsakanov)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Dmitri Hvorostovsky, Constantine Orbelian's "Hvorostovsky, Dmitri: Baritone Arias - Curtis, E. / Tagliaferri, E. / Capua, E. / Cardillo, S. / Bixio, C. / Tosti, F. / Gambardella, S." album is number 14 out of 17. Based on our statistics, Canta pe' me (orch. W. Mnatsakanov)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Canta pe' me (orch. W. Mnatsakanov) by Ernesto de Curtis, Walter Mnatsakanov, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Casta Diva | OperaBabes | D Minor | 3 | 7A | 67 BPM | ||
Nabucco: va pensiero | Franck Pourcel | F♯ Major | 3 | 2B | 145 BPM | ||
Tercera sinfonía en fa mayor - 3º movimiento-Poco allegretto | Ludwig van Beethoven, Waldo De Los Ríos | C Minor | 4 | 5A | 77 BPM | ||
Ombra Mai Fu - from 'Serse' | George Frideric Handel, Amira Willighagen, William Hayward | F Major | 1 | 7B | 97 BPM | ||
I'te vurria vasà | Eduardo di Capua, Alfredo Mazzucchi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | G Minor | 3 | 6A | 84 BPM | ||
Verdi: La Forza del Destino: La Vergine degli Angeli | Renata Tebaldi | G Major | 2 | 9B | 130 BPM | ||
El barbero de Sevilla, Act I: Largo al factotum | Waldo De Los Ríos | C Major | 8 | 8B | 135 BPM | ||
Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle" | Jacques Offenbach, Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 150 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Joyce DiDonato, Kazushi Ono, Orchestre De L'Opéra National De Lyon | E Major | 2 | 12B | 91 BPM | ||
To Treno Fevgi Stis Okto (The Train Leaves At Eight) | Agnes Baltsa | E Minor | 1 | 9A | 78 BPM |
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