- BPM
- 176
- Key
- C Minor
- Camelot
- 5A
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto - Antonín Dvořák, Renaud Capuçon Information
- Acousticness
- 97%
- Danceability
- 15%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 52%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 15%
- Loudness
- -28.853 dB
Summary
"Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto" by Antonín Dvořák, Renaud Capuçon was released on October 3, 2014. Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 11 out of 11 in Franck, Grieg, Dvorak: Sonatas for violin & piano by Renaud Capuçon. The popularity of Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto BPM
The tempo marking of Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto by Antonín Dvořák, Renaud Capuçon is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 4, Larghetto Key
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | |
 | 8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | |
 | Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | |
 | Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | |
 | Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | |
 | Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | |
 | Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | |
 | Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7550978660583496
End: 0.7610368728637695