"Lucrezia Borgia / Act 2: M'odi, ah m'odi, io non imploro..." by Gaetano Donizetti, Renée Fleming, Orchestra of St. Luke's, Patrick Summers was released on August 19, 2002. The duration of Lucrezia Borgia / Act 2: M'odi, ah m'odi, io non imploro... is about 3 minutes long, at 3:17. Based on our data, "Lucrezia Borgia / Act 2: M'odi, ah m'odi, io non imploro..." appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Renée Fleming - Bel Canto Scenes". In this album, this song's track order is #18. Based on our statistics, Lucrezia Borgia / Act 2: M'odi, ah m'odi, io non imploro...'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lucrezia Borgia / Act 2: M'odi, ah m'odi, io non imploro... by Gaetano Donizetti, Renée Fleming, Orchestra of St. Luke's, Patrick Summers having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 2: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Manon Lescaut / Act II: "In quelle trine morbide" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 168 BPM | ||
Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | ||
Spargi d’amaro pianto | Renata Scotto | E♭ Major | 1 | 5B | 129 BPM | ||
Lucia di Lammermoor / Act 2: "Se tradirmi tu potrai" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 4 | 11B | 98 BPM |
Section: 0.6629195213317871
End: 0.6677098274230957