"Lucia di Lammermoor / Act 2: "Se tradirmi tu potrai"" by Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge was released on January 1, 1972. The duration of Lucia di Lammermoor / Act 2: "Se tradirmi tu potrai" is about 3 minutes long, at 3:14. Based on our data, "Lucia di Lammermoor / Act 2: "Se tradirmi tu potrai"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 36 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Lucia di Lammermoor / Act 2: "Se tradirmi tu potrai" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor / Act 2: "Se tradirmi tu potrai" by Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 2 | 9B | 126 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Massenet: Manon, Act 2 Scene 4: "Allons! … Il le faut! … Adieu, notre petite table" (Manon) | Jules Massenet, Angela Gheorghiu, Orchestra of the Royal Opera House, Covent Garden, Ion Marin | C Minor | 1 | 5A | 116 BPM | ||
Puccini: Madama Butterfly, Act 1: "Vieni, amor mio!" (Pinkerton, Butterfly, Goro) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Gregory Bonfatti, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 118 BPM | ||
Nebbie | Ottorino Respighi, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | A♭ Minor | 2 | 1A | 88 BPM | ||
Norma / Act 2: Si, fino all'ore estreme | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 115 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Mascagni: L'amico Fritz, Act 3 Scene 3: "O amore, o bella luce del core" (Fritz) | Pietro Mascagni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | F♯ Major | 2 | 2B | 93 BPM | ||
Carmen (1997 - Remaster), Act II: Enfin c'est toi!...Tout doux, Monsieur | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F Major | 1 | 7B | 83 BPM | ||
Act III: Ella mi fu rapita! ... Parmi veder le lagrime | Giuseppe Verdi, Plácido Domingo, Sherrill Milnes, New Philharmonia Orchestra | D♭ Major | 2 | 3B | 104 BPM |
Section: 0.9367620944976807
End: 0.9412875175476074