Armida, Op. 115, B. 206, Act II: Act II Scene 5: Co vidim, v tabore je zena cizi (Peter, Armida)
Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht
Dvořák: Armida
2:47 July 1, 2016
BPM
72
Key
E Minor
Camelot
9A

Embed

Share Link

Armida, Op. 115, B. 206, Act II: Act II Scene 5: Co vidim, v tabore je zena cizi (Peter, Armida) - Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht Information

Acousticness
97%
Danceability
47%
Energy
15%
Instrumentalness
3%
Liveness
26%
Loudness
60%
Speechiness
3%
Valence
21%
Popularity
Loudness
-24.14 dB

Summary

Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht's 'Armida, Op. 115, B. 206, Act II: Act II Scene 5: Co vidim, v tabore je zena cizi (Peter, Armida)' came out on July 1, 2016. The duration of Armida, Op. 115, B. 206, Act II: Act II Scene 5: Co vidim, v tabore je zena cizi (Peter, Armida) is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Armida, Op. 115, B. 206, Act II: Act II Scene 5: Co vidim, v tabore je zena cizi (Peter, Armida)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 32 in Dvořák: Armida by Antonín Dvořák, Gerd Albrecht. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Armida, Op. 115, B. 206, Act II: Act II Scene 5: Co vidim, v tabore je zena cizi (Peter, Armida) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Armida, Op. 115, B. 206, Act II: Act II Scene 5: Co vidim, v tabore je zena cizi (Peter, Armida) BPM

The tempo marking of Armida, Op. 115, B. 206, Act II: Act II Scene 5: Co vidim, v tabore je zena cizi (Peter, Armida) by Antonín Dvořák, Joanna Borowska, Pavel Daniluk, George Fortune, Vratislav Kriz, Miroslav Podskalsky, Wiesław Ochman, Milan Bürger, Richard Sporka, Zdenek Harvanek, Jan Markvart, Vladimir Nachazel, Roman Janál, Monika Brychtova, Prager Kammerchor, Czech Philharmonic, Gerd Albrecht is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Armida, Op. 115, B. 206, Act II: Act II Scene 5: Co vidim, v tabore je zena cizi (Peter, Armida) Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sibelius: Finlandia, Op. 26 by Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraSibelius: Finlandia, Op. 26Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony OrchestraA♭ Major14B150 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) by Franz Schubert, Franz Liszt, Khatia BuniatishviliStändchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)Franz Schubert, Franz Liszt, Khatia BuniatishviliD Major010B67 BPM
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabileFranz Joseph Haydn, Alban Berg QuartettB♭ Major16B101 BPM
Concerto for Strings in A Minor, RV 161: I. Allegro by Antonio Vivaldi, Accademia I Filarmonici, Alberto MartiniConcerto for Strings in A Minor, RV 161: I. AllegroAntonio Vivaldi, Accademia I Filarmonici, Alberto MartiniB♭ Major56B124 BPM
Prelude In A Minor Op. 32 No. 8 by Vladimir HorowitzPrelude In A Minor Op. 32 No. 8Vladimir HorowitzF Major17B59 BPM
Evening Songs, Op. 3: No. 2, Mně zdálo se by Antonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon RattleEvening Songs, Op. 3: No. 2, Mně zdálo seAntonín Dvořák, Magdalena Kozená, Czech Philharmonic, Sir Simon RattleG Major19B86 BPM
Zapateado Op. 23 by Pablo de Sarasate, Sarah Chang, Charles AbramovicZapateado Op. 23Pablo de Sarasate, Sarah Chang, Charles AbramovicA Major311B113 BPM
Le roi s'amuse: Passepied by Léo Delibes, Slovak Philharmonic, Ondrej LenardLe roi s'amuse: PassepiedLéo Delibes, Slovak Philharmonic, Ondrej LenardA Major111B88 BPM
Notturno in G Minor by Fanny Mendelssohn, Heather SchmidtNotturno in G MinorFanny Mendelssohn, Heather SchmidtG Minor16A125 BPM
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato by Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun MarklSymphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcatoClaude Debussy, Tony Finno, Orchestre National De Lyon, Jun MarklC Major18B99 BPM
ISRC
DEB959540413
Label
L-M Records/RCA Records

Section: 0.6760401725769043

End: 0.6820402145385742