"Peter Grimes Op. 33, Scene 1: Glitter of waves and glitter of sunlight (Ellen/Chorus/Rector)" by Benjamin Britten, Felicity Lott, Neil Jenkins, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden had its release date on 1993. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 22 out of 45 in Britten: Peter Grimes by Benjamin Britten, Bernard Haitink. The popularity of Peter Grimes Op. 33, Scene 1: Glitter of waves and glitter of sunlight (Ellen/Chorus/Rector) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter Grimes Op. 33, Scene 1: Glitter of waves and glitter of sunlight (Ellen/Chorus/Rector) by Benjamin Britten, Felicity Lott, Neil Jenkins, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Delius: Irmelin, Prelude for Orchestra, RT VI/27 | Frederick Delius, London Symphony Orchestra, Sir John Barbirolli | D Major | 1 | 10B | 87 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM | ||
Phaéton, Op.39 | Camille Saint-Saëns, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 1 | 5B | 80 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
War Requiem, Op. 66 / Libera me: 6c. Let Us Sleep Now...In Paradisum | Benjamin Britten, Dietrich Fischer-Dieskau, Sir Peter Pears, Galina Vishnevskaya, Highgate School Choir, Simon Preston, London Symphony Chorus, The Bach Choir, Melos Ensemble, London Symphony Orchestra | A Major | 1 | 11B | 101 BPM | ||
8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 1. Zueignung | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | C Major | 2 | 8B | 102 BPM |