Gioachino Rossini, Leo Nucci, William Matteuzzi, Cecilia Bartoli, Paata Burchuladze, Libero Arbace, Enrico Fissore, Giorgio Tadeo, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè's 'Il barbiere di Siviglia / Act 2: Recitativo: "Ah! disgraziati noi!"' came out on January 1, 1989. With this song being about 5 minutes long, at 4:40, "Il barbiere di Siviglia / Act 2: Recitativo: "Ah! disgraziati noi!"" by Gioachino Rossini, Leo Nucci, William Matteuzzi, Cecilia Bartoli, Paata Burchuladze, Libero Arbace, Enrico Fissore, Giorgio Tadeo, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Il barbiere di Siviglia / Act 2: Recitativo: "Ah! disgraziati noi!" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il barbiere di Siviglia / Act 2: Recitativo: "Ah! disgraziati noi!" by Gioachino Rossini, Leo Nucci, William Matteuzzi, Cecilia Bartoli, Paata Burchuladze, Libero Arbace, Enrico Fissore, Giorgio Tadeo, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma: Overture | Vincenzo Bellini, Filarmonica della Scala, Riccardo Chailly | G Major | 2 | 9B | 144 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
La Gioconda / Act II: "Cielo e mar" | Amilcare Ponchielli, Rolando Villazón, Orchestra Sinfonica di Milano Giuseppe Verdi, Daniele Callegari | E♭ Major | 2 | 5B | 80 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi: Sinfonia | Vincenzo Bellini, Orchestra La Scintilla, Giovanni Antonini | G Minor | 2 | 6A | 79 BPM | ||
Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | ||
Waltz in E-Flat Major | Gioachino Rossini, Alessandro Marangoni | C Major | 2 | 8B | 99 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM |
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