Pablo Sorozábal made "Las de Caín: Concertante" available on December 10, 2013. The duration of Las de Caín: Concertante is about 3 minutes long, at 3:08. Based on our data, "Las de Caín: Concertante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "La Zarzuela - 100 Momentos Antológicos" album is number 59 out of 100. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Las de Caín: Concertante's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Las de Caín: Concertante by Pablo Sorozábal to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La del manojo de rosas: Hace tiempo que vengo al taller | Pablo Sorozábal | E Minor | 4 | 9A | 69 BPM | ||
Parlami d'amore, Mariu (orch. L. Logi) | Cesare Andrea Bixio, L. Logi, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 1 | 7B | 67 BPM | ||
Amesetan | Pablo Sorozábal, Heinrich Heine, Itziar Martinez Galdos, Per Arne Frantzen | D♭ Major | 0 | 3B | 65 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
La maja dolorosa II | Teresa Berganza, Juan Antonio Alvares Parejo | A Minor | 0 | 8A | 131 BPM | ||
Don Gil de Alcalá: "Acto II": Todas las Mañanitas: "Habanera" | Manuel Penella, Ataúlfo Argenta | B♭ Major | 2 | 6B | 89 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
O Sole Mio - Digitally remastered | Beniamino Gigli | G Major | 2 | 9B | 70 BPM | ||
Aida - Act 1 (1989 Digital Remaster): Se quel guerrier io fossi!....Celeste Aida | Zubin Mehta, Franco Corelli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 88 BPM |
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