Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado made "Lieutenant Kijé, Symphonic Suite, Op. 60: II. Romance" available on May 8, 2020. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Prokofiev: Essentiel". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Lieutenant Kijé, Symphonic Suite, Op. 60: II. Romance is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Lieutenant Kijé, Symphonic Suite, Op. 60: II. Romance by Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64 - Act 1: Arrival Of the Guests | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 92 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): I. Presto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 131 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Concerto No. 2, Op. 18 in C Minor: Moderato - Allegro | Sergei Rachmaninoff, Evgeny Kissin, Valery Gergiev | C Minor | 1 | 5A | 110 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Peter And The Wolf, Op.67 - Narration In German: Die Ente: "Und tatsächlich! Kaum war Peter fort, da kam aus..." | Sergei Prokofiev, Karlheinz Böhm, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Minor | 0 | 5A | 146 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM |
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