"Act IV: Rachel, quand du Seigneur" by Fromental Halévy, Enrico Caruso, Josef Pasternack was released on 1990. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Based on our statistics, Act IV: Rachel, quand du Seigneur's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Act IV: Rachel, quand du Seigneur by Fromental Halévy, Enrico Caruso, Josef Pasternack is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Offenbach: La vie parisienne, Act 1: Chœur. "Le ciel est noir, il va pleuvoir" - Quatuor. "Métella !" - Dialogue. "Gardefeu !" (Bobinet, Gontran, Gardefeu, Métella, Chœur) | Jacques Offenbach, Michel Plasson, Choeur Du Capitole De Toulouse, Henri Amiel, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | A♭ Major | 3 | 4B | 111 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
The Bartered Bride: ACT I, Jeník, Mařenka Jako matka požehnáním | Bedřich Smetana, Tomáš Juhás, Jiří Bělohlávek, BBC Symphony Orchestra, Dana Buresova | B♭ Major | 1 | 6B | 71 BPM | ||
Messa di Gloria: Gratias agimus tibi | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
Suor Angelica: Sorella, o buona sorella | Giacomo Puccini, Isobel Buchanan, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 81 BPM | ||
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Maudite à jamais soit la race des enfants d'Israël !" (Grand Prêtre) | Camille Saint-Saëns, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
Puccini: Tosca, Act 1: "È buona la mia Tosca" (Cavaradossi, Angelotti) | Giacomo Puccini, Victor de Sabata, Franco Calabrese, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano | C Minor | 2 | 5A | 78 BPM |
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