"Puccini: Tosca, Act 1: "È buona la mia Tosca" (Cavaradossi, Angelotti)" by Giacomo Puccini, Victor de Sabata, Franco Calabrese, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano was released on September 22, 2023. The duration of Puccini: Tosca, Act 1: "È buona la mia Tosca" (Cavaradossi, Angelotti) is about 3 minutes long, at 3:08. Based on our data, "Puccini: Tosca, Act 1: "È buona la mia Tosca" (Cavaradossi, Angelotti)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Puccini: Tosca". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Puccini: Tosca, Act 1: "È buona la mia Tosca" (Cavaradossi, Angelotti) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Tosca, Act 1: "È buona la mia Tosca" (Cavaradossi, Angelotti) by Giacomo Puccini, Victor de Sabata, Franco Calabrese, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Donizetti: Roberto Devereux: Donna reale, a' piedi tuoi... | Gaetano Donizetti, Leyla Gencer, Piero Cappuccilli, Anna Maria Rota, Ruggero Bondino, Gabriele De Julis, Sivano Pagliuca, Bruno Grella, Orchestra e Coro Del Teatro di San Carlo di Napoli | D Major | 2 | 10B | 175 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Cherubini: Medea, Act I: "Dei tuoi figli la madre" (Medea) | Luigi Cherubini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 80 BPM | ||
Don Pasquale, Act III Quinta Scena: Aspetta, aspetta, cara sposina (Pasquale/Malatesta) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | F Major | 3 | 7B | 84 BPM | ||
Las Golondrinas: "Canción de Lina" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña | E♭ Major | 2 | 5B | 129 BPM | ||
La Fanciulla del West / Act 1: Che faranno i vecchi miei | Giacomo Puccini, Gwynne Howell, Francis Egerton, Paul Crook, Robin Leggate, Jonathan Summers, Tom McDonnell, William Elvin, John Dobson, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta, Chorus of the Royal Opera House, Covent Garden, Robin Stapleton | G Major | 0 | 9B | 120 BPM | ||
Don Pasquale, Act III Sesta Scena: Bravo, bravo, Don Pasquale (Malatesta/Norina/Ernesto/Pasquale/Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
Ponchielli :La Gioconda, Act 1: "O monumento!" (Barnaba) | Amilcare Ponchielli, Piero Cappuccilli, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | G Major | 2 | 9B | 93 BPM | ||
Lucia di Lammermoor, Act I: Qui di sposa eterna | Gaetano Donizetti, Andrea Bocelli, Zuzana Markova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | F Major | 2 | 7B | 101 BPM |
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