Barbara Bonney, Südfunk-Chor, Jan-Hendrik Rootering, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner's 'Die Schöpfung HobXXI/2, PART 1: Und Gott machte das Firmament:Rezitativ (Raphael)' came out on 1990. With Die Schöpfung HobXXI/2, PART 1: Und Gott machte das Firmament:Rezitativ (Raphael) being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sir Neville Marriner's "Haydn: Die Schoepfung" album is number 4 out of 35. Die Schöpfung HobXXI/2, PART 1: Und Gott machte das Firmament:Rezitativ (Raphael) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Schöpfung HobXXI/2, PART 1: Und Gott machte das Firmament:Rezitativ (Raphael) by Barbara Bonney, Südfunk-Chor, Jan-Hendrik Rootering, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zeitlose, Op.10, No.7 | Richard Strauss, Barbara Bonney, Malcolm Martineau | A♭ Major | 0 | 4B | 81 BPM | ||
Stabat Mater: 6. Vidit suum | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 121 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Requiem, Op.48: 4. Pie Jesu | Gabriel Fauré, Kathleen Battle, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini | E♭ Major | 0 | 5B | 89 BPM | ||
Schubert: Auf dem Wasser zu singen, Op. 72, D. 774 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | A♭ Minor | 1 | 1A | 74 BPM | ||
Britten - On this Island: Let the florid music praise! | Benjamin Britten, Barbara Bonney, Malcolm Martineau | D Major | 1 | 10B | 85 BPM | ||
Six Lieder, Op.13: 6. Die stille Lotosblume | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 94 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 23 Solveig sings in the Hut | Edvard Grieg, Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 1 | 6B | 153 BPM | ||
Bedeckt mich mit Blumen, Op. 138, No. 4 | Robert Schumann, Barbara Bonney, Angelika Kirchschlager | B♭ Major | 1 | 6B | 101 BPM | ||
Bernstein - I hate music!: Jupiter has seven moons | Leonard Bernstein, Barbara Bonney, Malcolm Martineau | B♭ Minor | 1 | 3A | 144 BPM |
Section: 0.677731990814209
End: 0.6826765537261963