Fauré: La Bonne Chanson, Op. 61 - 4. J'allais par des chemins perfides
Gabriel Fauré, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf, Ulf Forsberg, Matti Hirvikangas, Mats Lidström, Tomas Gertonsson
Classical Sonosphere Vol. 3
1:54 June 20, 2023
BPM
95
Key
A Major
Camelot
11B

Embed

Share Link

Fauré: La Bonne Chanson, Op. 61 - 4. J'allais par des chemins perfides - Gabriel Fauré, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf, Ulf Forsberg, Matti Hirvikangas, Mats Lidström, Tomas Gertonsson Information

Acousticness
100%
Danceability
43%
Energy
4%
Instrumentalness
93%
Liveness
11%
Loudness
52%
Speechiness
3%
Valence
63%
Popularity
Loudness
-28.585 dB

Summary

Gabriel Fauré, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf, Ulf Forsberg, Matti Hirvikangas, Mats Lidström, Tomas Gertonsson made "Fauré: La Bonne Chanson, Op. 61 - 4. J'allais par des chemins perfides" available on June 20, 2023. With Fauré: La Bonne Chanson, Op. 61 - 4. J'allais par des chemins perfides being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 35 out of 144 in Classical Sonosphere Vol. 3 by Gabriel Fauré, Antonín Dvořák, Felix Mendelssohn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Fauré: La Bonne Chanson, Op. 61 - 4. J'allais par des chemins perfides is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Fauré: La Bonne Chanson, Op. 61 - 4. J'allais par des chemins perfides BPM

The tempo marking of Fauré: La Bonne Chanson, Op. 61 - 4. J'allais par des chemins perfides by Gabriel Fauré, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf, Ulf Forsberg, Matti Hirvikangas, Mats Lidström, Tomas Gertonsson is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Fauré: La Bonne Chanson, Op. 61 - 4. J'allais par des chemins perfides Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Nocturne No. 1 in E Flat Major, H.24 by John Field, Elizabeth Joy RoeNocturne No. 1 in E Flat Major, H.24John Field, Elizabeth Joy RoeE♭ Major05B75 BPM
Kol Nidrei - Adagio For Cello, Opus 47 by Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimKol Nidrei - Adagio For Cello, Opus 47Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimD Major110B81 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] by Franz Liszt, Joseph Banowetz6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]Franz Liszt, Joseph BanowetzG Minor06A96 BPM
Dolly Suite, Op. 56: III. Le Jardin de Dolly by Gabriel Fauré, Katia Labèque, Marielle LabèqueDolly Suite, Op. 56: III. Le Jardin de DollyGabriel Fauré, Katia Labèque, Marielle LabèqueD♭ Minor012A60 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 1 (Arr. E. Guiraud): IV. SéguedilleGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezD Major010B176 BPM
Bagatelle, Op. 1: No. 1, Allegretto by Valentin Silvestrov, Natalya PasichnykBagatelle, Op. 1: No. 1, AllegrettoValentin Silvestrov, Natalya PasichnykE♭ Major05B72 BPM
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 by Felix Mendelssohn, Péter NagyLieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2Felix Mendelssohn, Péter NagyF♯ Minor111A166 BPM
Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) by Robert Schumann, Miloš KaradaglićKinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar)Robert Schumann, Miloš KaradaglićD Major010B81 BPM
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro by Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di VittorioGli uccelli (The Birds), P. 154: V. Il cucu: AllegroOttorino Respighi, Chamber Orchestra of New York, Salvatore Di VittorioA Major111B117 BPM
Kinderszenen by Robert Schumann, Ivan MoravecKinderszenenRobert Schumann, Ivan MoravecF Major07B131 BPM
ISRC
DEF059404814
Label
L-M Records/RCA Records

Section: 0.6906344890594482

End: 0.6944146156311035