Benjamin Godard, Chloë Hanslip, Slovak State Philharmonic Orchestra, Kirk Trevor's 'Violin Concerto No. 2 in G Minor, Op. 131: No. 2, Adagio quasi andante' came out on March 22, 2024. Since Violin Concerto No. 2 in G Minor, Op. 131: No. 2, Adagio quasi andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "The Essential Slovak State Philharmonic Orchestra". In this album, this song's track order is #26. Furthermore, we believe that the track originated from Hong Kong. The popularity of Violin Concerto No. 2 in G Minor, Op. 131: No. 2, Adagio quasi andante is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Violin Concerto No. 2 in G Minor, Op. 131: No. 2, Adagio quasi andante by Benjamin Godard, Chloë Hanslip, Slovak State Philharmonic Orchestra, Kirk Trevor having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Impromptu No. 2 in F-Sharp Major, Op. 36: Andantino | Frédéric Chopin, Stanislav Bunin | F♯ Major | 0 | 2B | 68 BPM | ||
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Dante, Acte III: No. 14, Scène "Allons, amis" | Benjamin Godard, Andrew Foster-Williams, Bavarian Radio Chorus, Munich Radio Orchestra, Ulf Schirmer | A Major | 1 | 11B | 79 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Andante Cantabile from String Quartet No. 1 in D Major, Op. 11 (Arr. Leopold Stokowski) | Pyotr Ilyich Tchaikovsky, Matthias Bamert, BBC Philharmonic | F Major | 0 | 7B | 91 BPM | ||
Piano Concerto No. 3 in C Minor, Op. 37: 2. Largo | Ludwig van Beethoven, Mitsuko Uchida, Concertgebouworkest, Kurt Sanderling | E Major | 0 | 12B | 137 BPM | ||
Klid (Silent woods) for Cello and Orchestra, Op. 68, No. 5 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa | D♭ Major | 0 | 3B | 92 BPM |
Section: 0.7117111682891846
End: 0.7181966304779053