"Piano Concerto No. 3 in C Minor, Op. 37: 2. Largo" by Ludwig van Beethoven, Mitsuko Uchida, Concertgebouworkest, Kurt Sanderling was released on February 2, 1996. Piano Concerto No. 3 in C Minor, Op. 37: 2. Largo appears to be safe for all ages as it is not explicit. The song is number 2 out of 6 in Beethoven: Piano Concertos Nos. 3 & 4 by Ludwig van Beethoven, Mitsuko Uchida, Concertgebouworkest, Kurt Sanderling. Based on our statistics, Piano Concerto No. 3 in C Minor, Op. 37: 2. Largo's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 3 in C Minor, Op. 37: 2. Largo by Ludwig van Beethoven, Mitsuko Uchida, Concertgebouworkest, Kurt Sanderling is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Fidelio, Op. 72: Overture | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | E Major | 1 | 12B | 62 BPM | ||
Arpeggione Sonata, D. 821: II. Adagio | Franz Schubert, Anne Gastinel, Claire Désert | E Major | 0 | 12B | 73 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Goldberg Variations: Goldberg Variations: Aria | Johann Sebastian Bach, Britten Sinfonia, Thomas Gould | G Major | 1 | 9B | 85 BPM | ||
12 German Dances, D790: No.11 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Symphony No. 4 in G: 4. Sehr behaglich: "Wir genießen die himmlischen Freuden" | Gustav Mahler, Royal Concertgebouw Orchestra, Willem Mengelberg | E Minor | 2 | 9A | 60 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM |
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