Johann Sebastian Bach, Torleif Thedéen made "Cello Suite No. 1 in G Major, BWV 1007: I. Prelude" available on May 31, 2000. The duration of Cello Suite No. 1 in G Major, BWV 1007: I. Prelude is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 36 in Bach, J.S.: 6 Suites for Solo Cello, Bwv 1007-1012 by Johann Sebastian Bach, Torleif Thedéen. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Cello Suite No. 1 in G Major, BWV 1007: I. Prelude is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Cello Suite No. 1 in G Major, BWV 1007: I. Prelude by Johann Sebastian Bach, Torleif Thedéen is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 3. Allegro | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | B Major | 3 | 1B | 82 BPM | ||
協奏曲集「四季」より「夏」/第3楽章(『燃ゆる女の肖像』より) | ライナー・クスマウル, シュトゥットガルト室内管弦楽団, マルティン・ジーグハルト | C Minor | 4 | 5A | 152 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
Adagio in G Minor (formerly Attrib. Albinoni) | Remo Giazotto, I Musici | C Minor | 1 | 5A | 94 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Bach. Cello Suite #1 in G, BWV 1007 - I. Prelude | Iris Azquinezer | G Major | 1 | 9B | 140 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM |
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