Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky's 'Klavierkonzert Nr. 1 g-Moll, Op. 25: III. Presto' came out on November 16, 1993. Since Klavierkonzert Nr. 1 g-Moll, Op. 25: III. Presto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn's "Mendelssohn: Piano Concertos Nos. 1 and 2 / Capriccio Brillant / Rondo Brillant" album is number 3 out of 8. On top of that, Hong Kong appears to be the country where this track was created. Klavierkonzert Nr. 1 g-Moll, Op. 25: III. Presto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Klavierkonzert Nr. 1 g-Moll, Op. 25: III. Presto by Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
24 Preludes, Op. 11: No. 14 in E-Flat Minor | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 62 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Albumblatt In E Minor, Op.117, MWV U134 | Felix Mendelssohn, Daniel Barenboim | E Minor | 1 | 9A | 68 BPM | ||
Romance in F Minor, Op. 11, B. 38 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B♭ Minor | 0 | 3A | 209 BPM |
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