George Frideric Handel, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis made "Rodelinda / Act 3: Vivi, tiranno, io t'ho scampato" available on January 1, 2005. With this song being about 5 minutes long, at 5:24, "Rodelinda / Act 3: Vivi, tiranno, io t'ho scampato" by George Frideric Handel, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Simone Kermes, Marijana Mijanovic, Steve Davislim, Marie-Nicole Lemieux, Il Complesso Barocco, Alan Curtis's "Handel: Rodelinda" album is number 15 out of 64. Based on our statistics, Rodelinda / Act 3: Vivi, tiranno, io t'ho scampato's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Rodelinda / Act 3: Vivi, tiranno, io t'ho scampato by George Frideric Handel, Marijana Mijanovic, Il Complesso Barocco, Alan Curtis to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Confitebor: II. Confessor et magnificentia | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 79 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Handel: Rinaldo, HWV 7, Act 2: "Lascia ch'io pianga" (Almirena) | George Frideric Handel, Joyce DiDonato, Maxim Emelyanychev, Il Pomo D'oro | B Major | 4 | 1B | 129 BPM | ||
Vivaldi: Giustino, RV 717, Act 1 Scene 1: No. 1a, Aria, "Viva Augusto eterno impero" (Arianna, Chorus) | Antonio Vivaldi, Marina Comparato, Dominique Labelle, Francesca Provvisionato, Geraldine McGreevy, Leonardo de Lisi, Laura Cherici, Il Complesso Barocco, Alan Curtis | C Major | 1 | 8B | 90 BPM | ||
Requiem: XV. Lux Aeterna | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, John Relyea | E♭ Major | 0 | 5B | 62 BPM | ||
Pergolesi: Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | E♭ Minor | 1 | 2A | 146 BPM | ||
Water Music: Suite No. 1 in F Major, HWV 348, VII. Air | George Frideric Handel, Pierre Boulez, New York Philharmonic | F Major | 1 | 7B | 83 BPM | ||
Verdi: Messa da Requiem: IX. Ingemisco | Giuseppe Verdi, Riccardo Muti, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Magnificat in D Major, BWV 243: Esurientes | Johann Sebastian Bach, Gérard Lesne, Philippe Herreweghe, La Chapelle Royale | E♭ Major | 1 | 5B | 107 BPM |
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