- BPM
- 75
- Key
- D♭ Minor
- Camelot
- 12A
Violin Sonata No. 32 in B-Flat Major, K. 454: II. Andante - Wolfgang Amadeus Mozart, Arthur Grumiaux, Clara Haskil Information
- Acousticness
- 99%
- Danceability
- 40%
- Energy
- 15%
- Instrumentalness
- 94%
- Liveness
- 10%
- Loudness
- 77%
- Speechiness
- 3%
- Valence
- 8%
- Popularity
- 1%
- Loudness
- -14.005 dB
Summary
"Violin Sonata No. 32 in B-Flat Major, K. 454: II. Andante" by Wolfgang Amadeus Mozart, Arthur Grumiaux, Clara Haskil was released on January 1, 2001. Since Violin Sonata No. 32 in B-Flat Major, K. 454: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Arthur Grumiaux, London Symphony Orchestra, Sir Colin Davis's "Mozart: Violin Concertos" album is number 8 out of 21. On top of that, Netherlands appears to be the country where this track was created. Violin Sonata No. 32 in B-Flat Major, K. 454: II. Andante is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Violin Sonata No. 32 in B-Flat Major, K. 454: II. Andante BPM
We consider the tempo marking of Violin Sonata No. 32 in B-Flat Major, K. 454: II. Andante by Wolfgang Amadeus Mozart, Arthur Grumiaux, Clara Haskil to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Violin Sonata No. 32 in B-Flat Major, K. 454: II. Andante Key
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 36 in C Major, K. 425 "Linz": II. Andante | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | F♯ Major | 1 | 2B | 87 BPM | |
 | Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | |
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | |
 | Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | |
 | Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | |
 | 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | |
 | Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso | Antonín Dvořák, Peter Breiner | G Major | 1 | 9B | 179 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | |
 | ヴァイオリン協奏曲 ニ長調 Op. 77: II. Adagio | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Major | 1 | 8B | 67 BPM |
- ISRC
- NLA505600275
- Label
- L-M Records/RCA Records
Section: 0.7965798377990723
End: 0.8025655746459961