"Wachet auf, ruft uns die Stimme, Cantata BWV 140: VII. "Gloria sei dir gesungen"" by Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor was released on July 30, 2022. With Wachet auf, ruft uns die Stimme, Cantata BWV 140: VII. "Gloria sei dir gesungen" being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 199 out of 253 in BBQ Night with Bach by Johann Sebastian Bach, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Wachet auf, ruft uns die Stimme, Cantata BWV 140: VII. "Gloria sei dir gesungen" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wachet auf, ruft uns die Stimme, Cantata BWV 140: VII. "Gloria sei dir gesungen" by Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Partita No.1 In B Flat Major, BWV 825: Prelude | Johann Sebastian Bach, Rafał Blechacz | B♭ Major | 1 | 6B | 98 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: I. Adagio | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 147 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged for cello and piano / Act 2: Dance of the Blessed Spirits (Reigen seliger Geister) | Christoph Willibald Gluck, Mischa Maisky, Pavel Gililov | B Minor | 1 | 10A | 66 BPM |
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