On January 1, 1979, the song "Concerto a 5 in C, Op. 7, No. 12 for Oboe, Strings and Continuo: 1. Allegro" was released by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop. The duration of Concerto a 5 in C, Op. 7, No. 12 for Oboe, Strings and Continuo: 1. Allegro is about 3 minutes long, at 3:24. Based on our data, "Concerto a 5 in C, Op. 7, No. 12 for Oboe, Strings and Continuo: 1. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 24 in Albinoni: Oboe Concertos by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Concerto a 5 in C, Op. 7, No. 12 for Oboe, Strings and Continuo: 1. Allegro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto a 5 in C, Op. 7, No. 12 for Oboe, Strings and Continuo: 1. Allegro by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Concerto for Two Oboes in C Major, Op. 9 No. 9: I. Allegro | Tomaso Albinoni, Collegium Musicum 90, Simon Standage, Anthony Robson, Catherine Latham | D♭ Major | 2 | 3B | 112 BPM | ||
Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 71 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Concerto for Two Oboes in D Major, Op. 7 No. 8: I. Allegro | Tomaso Albinoni, Collegium Musicum 90, Simon Standage, Anthony Robson, Catherine Latham | D♭ Major | 3 | 3B | 106 BPM | ||
Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM |
Section: 0.7292442321777344
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