"Children's Suite, Op. 57: IX. A Carriage of Chairs" by Joseph Achron, Kenneth Grant, Brian Krinke, Perrin Yang, George Taylor, Stefan Reuss, Joseph Werner was released on September 1, 2011. With Children's Suite, Op. 57: IX. A Carriage of Chairs being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 22 in Achron: Wind Sextet, "Cantillations" - Children's Suite (excerpts) - Jacobi: Hagiographa - Chajes: Tefilah by Joseph Achron, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Children's Suite, Op. 57: IX. A Carriage of Chairs is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Children's Suite, Op. 57: IX. A Carriage of Chairs by Joseph Achron, Kenneth Grant, Brian Krinke, Perrin Yang, George Taylor, Stefan Reuss, Joseph Werner is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Night (Arr. for Cello & Piano by Tom Poster) | Florence Beatrice Price, Laura van der Heijden, Jâms Coleman | G Major | 0 | 9B | 91 BPM | ||
Nocturne in 3 Scenes, Op. 72: I. Tahdet tuikkivat (The Stars are Twinkling) | Selim Palmgren, Risto Lauriala | D♭ Major | 1 | 3B | 102 BPM | ||
ouiiiiinonnn | FIVOWzy | D♭ Minor | 0 | 12A | 81 BPM | ||
Variations concertantes, Op. 17/MWV Q 19: VIII. Presto ed agitato Variation | Felix Mendelssohn, Sol Gabetta, Bertrand Chamayou | E♭ Major | 0 | 5B | 138 BPM | ||
Arabeske, Op. 18 | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
Wie Melodien zieht es mir | Johannes Brahms, Jungin Huh | D Major | 5 | 10B | 123 BPM | ||
Hebrew Melody, Op. 33 (version for violin and piano) | Joseph Achron, Josef Hassid, Gerald Moore | A Minor | 3 | 8A | 103 BPM | ||
Suite for Variety Orchestra No. 1: Waltz No. 2 (Arr. Fontaine for Cello, Piano & 4 Saxophones) | Dmitri Shostakovich, Alliage Quintett, Alban Gerhardt | A Major | 1 | 11B | 85 BPM | ||
Adoration (Arr. for Cello & Orchestra by Julian Riem) | Florence Beatrice Price, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | G Major | 1 | 9B | 86 BPM | ||
Poèmes "Le rossignol éperdu" (Excerpts): No. 26, Mirage | Reynaldo Hahn, Sofja Gülbadamova | F♯ Major | 0 | 2B | 68 BPM |
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