"Children's Suite, Op. 57: IX. A Carriage of Chairs" by Joseph Achron, Kenneth Grant, Brian Krinke, Perrin Yang, George Taylor, Stefan Reuss, Joseph Werner was released on September 1, 2011. With Children's Suite, Op. 57: IX. A Carriage of Chairs being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 22 in Achron: Wind Sextet, "Cantillations" - Children's Suite (excerpts) - Jacobi: Hagiographa - Chajes: Tefilah by Joseph Achron, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Children's Suite, Op. 57: IX. A Carriage of Chairs is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Children's Suite, Op. 57: IX. A Carriage of Chairs by Joseph Achron, Kenneth Grant, Brian Krinke, Perrin Yang, George Taylor, Stefan Reuss, Joseph Werner is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Pieces, Op. 39: No. 4. Canzonetta | Reinhold Glière, Felix Froschhammer, Florian Rohn | B♭ Major | 2 | 6B | 121 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
The Lark Ascending: III. Allegretto molto tranquillo | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | F Minor | 0 | 4A | 124 BPM | ||
2 Hebrew Pieces, Op. 35: No. 1, Hebrew Dance (Arr. for Violin and Piano) | Joseph Achron, Michael Ludwig, Alison D'Amato | A Minor | 2 | 8A | 141 BPM | ||
Humoresque in F Major, Op. 26 | William Henry Squire, Oliver Gledhill, Tadashi Imai | F Major | 2 | 7B | 157 BPM | ||
Franck / Arr Delsart: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato (Arr. Delsart for Cello & Piano) | César Franck, Edgar Moreau, David Kadouch | A Major | 0 | 11B | 70 BPM | ||
メンデルスゾーン=アクロン: 歌の翼に | Felix Mendelssohn, Joseph Achron, Junko Omori, 中島由紀 | E Major | 0 | 12B | 87 BPM | ||
Miroirs, M. 43: No. 3, Une barque sur l'océan | Maurice Ravel, Bruce Liu | F♯ Minor | 1 | 11A | 71 BPM | ||
Poem I | Gillian Pereira, Sally Greenaway | G Major | 2 | 9B | 79 BPM | ||
Prelude for Cello & Piano | Ernest John Moeran, Gerald Peregrine, Antony Ingham | E Major | 0 | 12B | 93 BPM |
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