"Variations concertantes, Op. 17/MWV Q 19: VIII. Presto ed agitato Variation" by Felix Mendelssohn, Sol Gabetta, Bertrand Chamayou was released on January 19, 2024. With Variations concertantes, Op. 17/MWV Q 19: VIII. Presto ed agitato Variation being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sol Gabetta, Bertrand Chamayou's "Mendelssohn" album is number 8 out of 25. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Variations concertantes, Op. 17/MWV Q 19: VIII. Presto ed agitato Variation's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations concertantes, Op. 17/MWV Q 19: VIII. Presto ed agitato Variation by Felix Mendelssohn, Sol Gabetta, Bertrand Chamayou to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Molière Imaginaire / Atto I: Molière - I | Nino Rota, Giuseppe Grazioli, Orchestra Sinfonica di Milano Giuseppe Verdi | C Minor | 2 | 5A | 82 BPM | ||
Theme and Variations, Op. 72: Var. 11. Allegretto | Alexander Glazunov, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Cage: All Sides of the Small Stone, for Erik Satie | John Cage, Bertrand Chamayou | A♭ Major | 0 | 4B | 137 BPM | ||
Thema mit Variationen (Geistervariationen): Var. V | Robert Schumann, András Schiff | F Major | 0 | 7B | 63 BPM | ||
6 Charakterstücke, Op. 33: No. 4, Ständchen (Serenade) | Christian Sinding, Eva Knardahl | A♭ Major | 0 | 4B | 69 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Jugendklange, Op. 32: No. 12. Grosses Geheimnis | Robert Fuchs, Daniel Blumenthal | B Minor | 0 | 10A | 0 BPM | ||
Satie: Le fils des étoiles: Prélude du premier acte. La vocation | Erik Satie, Bertrand Chamayou | A♭ Major | 0 | 4B | 137 BPM |
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