Felicity Lott, Graham Johnson's 'Der Musensohn, D. 764' came out on June 15, 2010. The duration of Der Musensohn, D. 764 is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Der Musensohn, D. 764's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 18 in Felicity Lott sings Schubert Favourites by Felicity Lott, Graham Johnson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Der Musensohn, D. 764's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Der Musensohn, D. 764 by Felicity Lott, Graham Johnson is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Incidental Music, Op. 61: Finale. Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, The Monteverdi Choir, Frankie Wakefield, Alexander Knox, Ceri-lyn Cissone | E Major | 0 | 12B | 176 BPM | ||
Peter Grimes Op. 33, ACT 1 Scene 1: I have to go from pub to pub (Hobson/Chorus/Ellen/Ned) | Benjamin Britten, Felicity Lott, Simon Keenlyside, David Wilson-Johnson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink, Orch.Of Royal Opera House Covent Garden | A Minor | 1 | 8A | 95 BPM | ||
Clair De Lune Opus 46/2 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Mass in B Minor, BWV 232 / Kyrie: 2. Christe eleison | Johann Sebastian Bach, Felicity Lott, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 2 | 10B | 107 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Mahler: Symphony No. 2, "Resurrection": IV. Urlicht, "Der Mensch liegt in grösster Not" (Alto). Sehr feierlich, aber schlicht | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 137 BPM | ||
La Bohème / Act 4: "Sono andati" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 78 BPM | ||
Stabat Mater, Op. 58: IX. Inflammatus et accensus (Andante maestoso) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Michaela Selinger | G Major | 1 | 9B | 92 BPM | ||
Fauré: Requiem, Op. 48: VI. Libera me | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 82 BPM |
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