"Tabula rasa: 1. Ludus: Con moto" by Arvo Pärt, Gil Shaham, Adele Anthony, Erik Risberg, Gothenburg Symphony Orchestra, Neeme Järvi was released on January 1, 2012. Since Tabula rasa: 1. Ludus: Con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Serenity - The Beauty Of Arvo Pärt". In this album, this song's track order is #7. In terms of popularity, Tabula rasa: 1. Ludus: Con moto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tabula rasa: 1. Ludus: Con moto by Arvo Pärt, Gil Shaham, Adele Anthony, Erik Risberg, Gothenburg Symphony Orchestra, Neeme Järvi having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St Birgitta Hymn - Rosa Rorans Bonitatem | Trio Mediæval, Arve Henriksen | F Minor | 0 | 4A | 105 BPM | ||
Oblivion (Arr. String Quartet) | Astor Piazzolla, Carducci String Quartet | C Minor | 2 | 5A | 115 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Adagio For Strings, Op.11 | Samuel Barber, London Symphony Orchestra, Kristjan Järvi | B♭ Minor | 1 | 3A | 77 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Summer 2 | Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder | G Minor | 2 | 6A | 90 BPM | ||
Für Alina: Ruhig, verhalten, in sich hineinhorchend | Arvo Pärt, Michael Van Krücker | B Minor | 0 | 10A | 76 BPM | ||
Adagietto | Arash Safaian, Sebastian Knauer | G Major | 0 | 9B | 89 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM |
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