"Gesänge der Frühe, Op.133 (1853): 2. Belebt, nicht zu rasch" by Robert Schumann, Mitsuko Uchida was released on January 1, 2013. The duration of Gesänge der Frühe, Op.133 (1853): 2. Belebt, nicht zu rasch is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Gesänge der Frühe, Op.133 (1853): 2. Belebt, nicht zu rasch's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Schumann: G Minor Sonata; Waldszenen; Gesänge der Frühe". In this album, this song's track order is #15. Gesänge der Frühe, Op.133 (1853): 2. Belebt, nicht zu rasch is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Gesänge der Frühe, Op.133 (1853): 2. Belebt, nicht zu rasch by Robert Schumann, Mitsuko Uchida having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Berliner Philharmoniker | D Major | 0 | 10B | 95 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
« Dolly », 6 pièces pour piano à 4 mains, Op. 56: Berceuse | Gabriel Fauré, Jean-Claude Vanden Eynden, Pierre-Alain Volondat | E Major | 0 | 12B | 142 BPM | ||
Waldszenen, Op. 82: I. Eintritt im Walde | Robert Schumann, Arcadi Volodos | B♭ Major | 0 | 6B | 113 BPM | ||
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante | Clara Schumann, Sara Costa | E♭ Minor | 1 | 2A | 134 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Symphony No. 3 in E Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | C Major | 1 | 8B | 81 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM |
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