"Fauré: Requiem, Op. 48: VII. In Paradisum" by Gabriel Fauré, Choir of King's College, Cambridge, Stephen Cleobury, English Chamber Orchestra was released on 1989. The duration of Fauré: Requiem, Op. 48: VII. In Paradisum is about 3 minutes long, at 3:27. Based on our data, "Fauré: Requiem, Op. 48: VII. In Paradisum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 16 in Fauré/Duruflé - Requiems by Olaf Bär, Ann Murray, Richard Eteson, Choir of King's College, Cambridge, English Chamber Orchestra, Stephen Cleobury. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fauré: Requiem, Op. 48: VII. In Paradisum is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Requiem, Op. 48: VII. In Paradisum by Gabriel Fauré, Choir of King's College, Cambridge, Stephen Cleobury, English Chamber Orchestra is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hear My Prayer, Hymn for Soprano, Chorus and Organ: O For The Wings Of A Dove | Felix Mendelssohn, Alastair Hussain, Choir of King's College, Cambridge, James Vivian | G Major | 0 | 9B | 135 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Glorious things of thee are spoken (Abbot's Leigh) | Cyril Taylor, Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl | D Major | 2 | 10B | 96 BPM | ||
Requiem, Op.48: 7. In Paradisum (Chorus) | Gabriel Fauré, Timothy Farrell, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus London | D Major | 0 | 10B | 63 BPM | ||
Berliner Messe: Kyrie | Arvo Pärt, Elora Festival Singers, Elora Festival Orchestra, Noel Edison | B Major | 1 | 1B | 100 BPM | ||
Gabriel's Oboe (From "The Mission") | Ennio Morricone, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Major | 2 | 10B | 86 BPM | ||
Requiem, Op. 9: IX. In Paradisum (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Choir of King's College, Cambridge, Stephen Cleobury | B Major | 0 | 1B | 130 BPM | ||
Concerto in D minor, S. Z799: 1. Andante e spiccato | Alessandro Marcello, Håkan Hardenberger, I Musici | D Minor | 2 | 7A | 78 BPM | ||
Requiem, Op. 48, N. 97: Introit (Ed. Marc Rigaudière) | Gabriel Fauré, Orchestra of the Age of Enlightenment, Stephen Cleobury, Ensemble of King's College, Cambridge | E♭ Major | 1 | 5B | 96 BPM |
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